Homepage - Contents - C. The Designers, 8. Alain Carré | < Previous page | Next page > |
1945 | Born in France, July 5th. |
1962 | Becomes a pupil of Jean Prouvé. |
1969 | Shows a successful futuristic line of furniture at the 'Salon des Artistes Décorateurs' at the Grand Palais, Paris. The designs have an impressive impact on Pierre Cardin, who employs Alain Carré a year later as the manager of design at Pierre Cardin for six consecutive years. All designs by Carré are sold under the Cardin label. During these years, he creates the design studio of Cardin and takes care of approximately hundreds of licences in the field of fashion accessories and house decoration items. |
1975 | Leaves the Cardin House and starts his own design agency. During the ten following years he creates six separate design studios for architecture, packaging, public relations, vehicles, advertising, design products etc. |
1986 | Designs a series of diving watches called 'Moby Dick' for Aubrey of Switzerland, made of special steel. |
1988 | Establishes the Alain Carré Japan Corporation. |
1993 | Designs a series of three watches, sold under the label 'Alain Carré Paris'. |
1 | 'Les Aciers'. LCD watches. Reference numbers start with 669. |
2 | 'Les Heaumes' (The Helmets). Reference numbers of the LCD watches start with 667 and those of the watches with hands start with 665. |
3 | 'Les Facettes'. Rectangular watches with hands. Reference numbers of the ladies' watches start with 661 and the men's watches with 662. |
4 | 'Les Rectangles'. Reference numbers start with 661. |
5 | 'Les Carrées' (The Squares). Reference numbers start with 662. |
6 | 'Sport Etanche'. |
7 | 'Les Hublots'. Classic circular gold and chromium plated ladies' watches with hands. |
8 | 'Les Club'. Series of rectangular and circular gold plated classic ladies' and men's watches. |
9 | Name unknown. Series of black and white two toned circular watches with hands. |
10 | Name unknown. Series of rectangular LCD watches, brown enamel and gold or chromium plated. |
Copyright © by Pieter Doensen
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